![Britney Spears: Circus [album Review]... BRITNEY SPEARS: CIRCUS [ALBUM REVIEW]...](http://ecx.images-amazon.com/images/I/51EO0K0t4LL._SS500_.jpg)
With the pop genius that was the VERY underrated
‘Blackout’ last year,
Britney Spears is trying her hand at yet another musical comeback hoping for it to be much more successful than the last one. The Princess of Pop is back with her brand new album
‘Circus’, and although the album doesn’t drop until her 27th birthday (
Dec 2nd), the project spilled it’s way onto the big bad Net this week. Britney worked with a high profile number of producers for the project which included the likes of
Danja, The Outsyders, The Underdogs, Bloodshy & Avant, Jim Beanz, Kelly Claude, Max Martin, Benny Blanco, Dr. Luke, Fernado Garibay, Greg Kurstin, Guy Sigsworth and the list is just endless.
The introductory track as well as the leading single ‘Womanizer’ is without a doubt, one of the worst songs on the album. It doesn’t even come close to some of the flawlessness Britney has put out previously (Gimme More, Slave 4 U, etc). Although the heavily synthesised techno-driven song doesn’t come close to her best work, it’s certainly doing its job on the charts and that’s the main principle. There are in fact songs on the album that clearly gives Womanizer a run for its money, such as ‘Kill The Rights’, ‘Circus’ and ‘Mannequinn’. I’d have chosen Circus because it would have made the perfect statement about the past two years of her chaotic life. The song certainly glistens with its infectious dance-stomping beat, catchily-engaging chorus and attitude-infused energy. Britney has yet to show us she can break out into a mean sweat like the early days. If she were to shut up the naysayers about her latest inability to perform, this would be the perfect song to do it with.
The Danja-produced Kill The Lights uses the producer’s voice-over announcement before declaring Britney as the “Queen of Pop” and roaring into an aggressive thumping sonically-driven beat. Lines such as “Is that money in your pocket, or are you happy to see me?” make the song even more compelling. Mannequin is just as contagious and dance-friendly with Britney using distinct-style vocals. Other upbeat pop stompers reside in the electro-driven ‘Shattered Glass’ and the euro-dance groove ‘Phonography’. The track ‘Blur’ which slightly reminds me of Rihanna’s Rehab is also a shining point. Having expressed my appreciation for Britney’s uptempo and rather addictive dance beats, I will say that I’ve never been a fan of Britney’s ballads. And unlike on the Blackout album, she appears to put extra focus on some of those slower-paced numbers like ‘My Baby’, ‘Out From Under’ and the Bloodshy & Avant-produced ‘Unusual You’, which reminded me very much of 90’s Dido.
Out From Under which is preoccupied by some guitar riffs, sees Britney covering the Joanna Pacitti original orchestrating her breathy vocals over the track and very surprisingly, not doing a bad job of it only proving that sometimes less is more. And in the coo-y ‘My Baby’, Britney softly croons sweet innocence in ode of her two children. Filler songs reside in the electronic guitar riffing of ‘Mmm Papi’ which was put together by Nicole Morier of Electrocute. ‘Rock Me In’, another electronic number from Morier, is also deserving of the filler envelope. I think Mmm Papi is a fun song but I just felt that production-wise, it was just irrelevant. As for ‘Lace & Leather’, it is straight 80’s-inspired pop which has some Madonna influences here and there. And ‘If U Seek Amy’ had me liking the cheekiness and wit behind it especially with the ‘F.U.C.K me’ alternative. It’s not really a stand-out song for me either, but then again, I was never a fan of Max Martin.
If I had to pick the standouts mine would be Circus, Kill The Lights, Mannequin, Blur, Shattered Glass and Unusual You. In part, I heard a bit of ‘Blackout’ and a couple of ‘In The Zone’ revisitations which are two of Britney’s best work. Some of the songs on this album were whimsical, modern, catchy and nicely produced but fell a bit short in comparison, whilst others displayed much of Britney’s maturity. Nice effort nonetheless.
Rating: 3/5